Puzzlify notes

A thank-you for your community woodland volunteers: a photo of the misty ride in the morning as a jigsaw, with your note at the end

Written by the team behind Puzzlify. Puzzlify is our product, so weigh what follows with that in mind. We've tried to make this useful even if you never use it. We're not affiliated with any community woodland group, woodland or forestry charity, wildlife trust, community forest, Landcare group, landowner, parish or town council, forest school, insurer or community organisation. Nothing here is legal, forestry, tree work, chainsaw, wildlife licensing, fire safety, health and safety, first aid, employment, safeguarding, copyright or data protection advice; check your own group's guidance on gifts, photos, tools, wildlife, fires, land, children and people's details.

It's eight o'clock on a Sunday morning in the middle of February, and a retired electrician called Alan is unlocking the padlock on a battered steel container at the edge of a wood. The mist hasn't lifted yet. The main ride, a wide grassy track the group cleared eight years ago, runs away from him between the hazel and the oaks until it disappears into white, and the only sounds are a wren in the bramble and water dripping off the branches. He props the doors open, hangs the sign-in sheet on its nail, and starts laying out the tools on an old trestle: bowsaws, loppers, billhooks in their leather sheaths, a box of gloves and a first aid kit he checks twice.

By half past nine, there will be eighteen people in the wood. The work party leader, a former nurse called Ruth, will give the safety talk by the container: where the work is today, how to carry a bowsaw, where the first aid kit is, what to do if anyone finds a tick, and that nobody goes near the area where the group's two certified chainsaw operators are working behind their tape. Then they'll walk to this winter's coppice coupe, a patch of hazel the size of a tennis court, and start cutting the old stems down to the stools, so that the light floods in and, next spring, the bluebells and the butterflies follow.

Alan has been the tool keeper for the community woodland group for six winters, ever since he moved to the village and a neighbour said they needed someone who could sharpen a billhook and wasn't afraid of mud. Since November, he has helped the committee repair the boardwalk across the wet patch by the stream, put up new tree guards along the edge of the field the group planted three years ago, and fix the gate the deer keep pushing open.

By noon, the coupe will be open, the brash will be stacked into dead hedges along the edge for the wrens and the beetles, the straight hazel poles will be sorted for bean poles and hurdles, and somebody will have lit the Kelly kettle in the clearing, exactly where the rules say it can be lit. The chair, a former librarian called Morag, will hand round flapjacks and remind everyone about the open day in May, the bluebell walk and the dormouse box check, which only the licensed volunteers will do.

If you've ever walked through a wood on a spring morning and noticed a cleared path, a new boardwalk or a carpet of bluebells under freshly coppiced hazel, and wondered who looks after it, you may have seen the work of a community woodland group and its volunteers. This guide is about saying thank you to them, in words first and, if it fits, with a small digital jigsaw made from a photo of the misty ride in the morning, a carpet of bluebells, a row of coppice stools in winter light, the billhooks and bowsaws laid out on a log, a line of new tree guards along the edge of a field, or the autumn canopy from the main path.

Who we mean

Community woodlands come in many shapes. Some woods are owned by the community, bought with a share offer, a public appeal or a land fund; some are leased from a council, an estate or a trust; some are managed by a group on behalf of a landowner; and some are new woods the group planted on a field a generation ago. Almost all rely on a small team. You'll usually find:

  • the committee, who meet in the village hall or the pub, deal with the landowner, the grants and the woodland management plan, and keep the whole thing going;
  • the chair, the secretary and the treasurer, who write the minutes, apply for grants, deal with the insurance and the felling permissions, and count every coin from the open day;
  • the work party leaders, who plan each session, give the safety talk, show newcomers how to use a bowsaw safely and make sure everyone goes home in one piece;
  • the practical volunteers, who coppice the hazel, clear the rides and glades, lay the hedges, build the paths, steps and boardwalks, and pull the bramble and the invasive plants;
  • the tree planting and guarding volunteers, who plant the whips, put up the guards, check them every season and take the old guards away when the trees are grown;
  • the survey and recording volunteers, who count the bluebells, record the fungi, the birds and the butterflies, and, where they hold the right licence, check the dormouse boxes and the bat boxes;
  • the forest school and education helpers, who help run sessions for local schools and families alongside trained forest school leaders;
  • the green woodworkers and charcoal burners, who turn the coppice into hurdles, spoons, stools, bean poles and barbecue charcoal;
  • the events team, who run the open days, the bluebell walks, the apple days and the winter wassail;
  • the landowner, the trust or the council, who trust the group with the land;
  • the people who started it, who walked through a neglected wood one day and decided it could be loved again.

And behind all of them, the partners and families at home who have learned to live with muddy boots in the hall, a garage full of hazel poles, sawdust in the washing machine and someone who checks themselves for ticks every Sunday night.

The words matter most

Before anything else, it's worth saying: the thank-you a woodland volunteer remembers is the one that tells them exactly what they did and why it mattered. "Thanks for looking after the wood" is kind. "Thank you for the boardwalk by the stream. My dad uses a stick now, and it's the only path in the valley he can still walk without slipping, so we go every Sunday" is the one that gets kept.

If you're not sure what to say, these questions might help:

  • What did they do that you saw, or that you only found out about later?
  • What did it make possible: a path you can walk, a glade full of butterflies, a child's first day at forest school, a wood that belongs to the village?
  • What will you remember about that wood, that season or that walk because of them?

A few honest sentences, handwritten or typed, are worth more than any present. Everything else in this guide is optional.

Who might send one

A photo jigsaw is not right for everyone, and it doesn't replace a card, a thank-you in the newsletter or a round of applause at the AGM. It tends to suit:

  • a chair, a secretary or a treasurer who is stepping down, or who carried the group through a share offer, a purchase or a difficult year;
  • a work party leader who has run sessions every winter for longer than anyone can remember;
  • a volunteer who has quietly cared for one path, one glade or one hedge until it became the best part of the wood;
  • a partner or family member who has lived with the boots, the poles and the sawdust at home.

It's less suited to someone who doesn't use screens at all, or who would feel awkward about a gift; for them, a card and a warm word by the container on a work day are perfect.

Gifts, woods and good manners

Community woodland groups sit somewhere between a conservation charity, a landowner and a social club, working with sharp tools, living trees, wildlife and other people's land, and that brings a few things to keep in mind:

  • Chainsaws and felling: chainsaws, tree felling, working in trees and dealing with hung-up or dangerous trees are only for trained, certified and insured people, whether they are volunteers with the right qualifications or professional arborists. Never photograph a chainsaw operator at work up close, never ask anyone to pose with a running saw or a falling tree, and never go inside their taped-off area.
  • Hand tools and PPE: billhooks, bowsaws, loppers, slashers and axes are sharp, and the group's rules on gloves, boots, eye protection, carrying tools and working distances exist for good reasons. Never pick up a tool for a photo, and keep children well away from the tool store and the work area.
  • Ticks and Lyme disease: ticks are common in woods and long grass, and some carry Lyme disease. Long trousers, a check afterwards and the group's own advice are part of every work day; a thank-you photo is never a reason to wander off the path into bracken or long grass.
  • Protected species: many woods are home to protected species, such as dormice, bats, badgers, some birds, reptiles and rare plants. Only licensed people survey or handle them. Never move, touch or disturb wildlife for a photo, never photograph a nest, a sett, a roost or a dormouse box in a way that shows where it is, and never share its location.
  • Fires: fires, charcoal burns and Kelly kettles are only lit where and when the group's rules and the landowner allow it, by the people responsible for them. Never light a fire for a photo, and keep children well back.
  • Children at forest school: forest school sessions are run by trained leaders with their own safeguarding rules. Never photograph or share images of children without their parents' clear permission, and keep them out of any puzzle you send, even if they planted the trees.
  • Group money and paid professionals: if you're thinking of a thank-you paid for from the group's funds, check with the committee first; the money often comes from grants, share offers, memberships and donations that are meant for the wood. A personal thank-you from your own pocket avoids any awkwardness. Paid foresters, ecologists, arborists and contractors are doing their jobs, not volunteering. Pay their invoices properly, promptly and separately, before anything else; a thank-you is never a substitute for the agreed fee.
  • The landowner and the neighbours: even a community-owned wood has neighbours, and many groups manage land that belongs to someone else. Never photograph a neighbour's house, garden or farmyard, and respect any private areas, gates and boundaries.
  • Cash and people's details: keep the open day takings, the cash tin, the grant paperwork, the sign-in sheet, the volunteers' list and any message group with phone numbers out of any photo or message.

When to send it

There's no single right moment, but these tend to work well:

  • at the end of the winter work party season, usually in March, when the coppicing is done before the birds start nesting;
  • in bluebell season, when the coppice they cut last winter is full of flowers;
  • at the open day, the apple day or the winter wassail, when the whole village is in the wood;
  • on the anniversary of the purchase, the share offer or the first planting;
  • after a hard year, such as a storm, ash dieback, a flood, a lost grant or a dispute with a neighbour, when the volunteers kept going anyway;
  • when someone joins the committee, retires, steps down or moves away, at whatever time of year that happens.

There's no wrong time to say thank you, but a thank-you that arrives close to the moment it's about tends to land best.

Why a jigsaw can fit

A wood is a jigsaw already. The canopy, the coppice, the rides, the glades, the hedges, the stream and the paths all fit together to make a place where people walk and wildlife lives, and the group spends years putting the pieces in place, one coupe and one path at a time. The committee does the same with the landowner, the grants, the management plan, the volunteers and the seasons.

So a jigsaw is a small, quiet version of the same pleasure. Putting together a photo of the wood they care for, piece by piece, with real tab-and-blank shapes that click into place, gives the person a few calm minutes with a place they usually only see on cold, busy work days. And because the note appears when the last piece goes in, the thank-you arrives at the end, like the moment the mist lifts off the ride.

If you're thanking the committee and the work party leaders

The committee and the leaders carry more than most people see: the meetings, the management plan, the permissions, the risk assessments, the grant forms and the worry about everyone's safety with sharp tools in a wet wood. A thank-you for them might be a photo of the main ride on a misty morning, with a note that names something specific: "Thank you for every safety talk by the container, every grant form and every Sunday you were there first."

If you're thanking the practical volunteers

The practical volunteers do the heavy, cold, muddy work. A photo of a row of freshly cut coppice stools in low winter sun, a dead hedge of stacked brash along the edge of a glade, the new boardwalk across the wet patch, or the billhooks and bowsaws laid out on a log at the end of a session, is a warm puzzle for them. A note that says what you noticed means a lot: "Thank you for the steps down to the stream. I counted them: forty-two, and every one of them is level."

If you're thanking the planting, survey and education volunteers

The planting volunteers build the wood of the future, the recorders show everyone what the work has achieved, and the education helpers bring the next generation in. A photo of a line of new tree guards along the edge of a field, a carpet of bluebells under last year's coppice, a cluster of fungi on a fallen log, or the empty forest school circle with its log seats and a rope swing, with no children in it, makes a lovely detailed puzzle, with a note such as "Thank you for the bluebell count. Three times as many as when you started, and you wrote every one of them down."

If you're thanking the woodworkers, the landowner or the founders

The green woodworkers and charcoal burners turn the wood's work into something people can hold. A photo of a stack of hazel hurdles, a row of spoons on a bench or a bag of the group's charcoal, with no people in the frame, is a cheerful puzzle. Without the landowner, the trust or the council, there may be no wood to care for: a photo of the autumn canopy from a public path, with no houses or farmyards in it, and a note such as "Thank you for trusting us with the wood. The dormice are back because of you", is a kind gesture. For the founders, a photo of the ride they first cleared, or the sign at the gate they put up on the first day, can mean a great deal: "There's a wood that belongs to the village because you asked why there wasn't."

If you live with a woodland volunteer

If your partner, parent or friend comes home with mud to the knees, sawdust in their hair and a phone full of photos of fungi, a puzzle can be a small, private thank-you. A photo of muddy boots by the back door, a pair of work gloves and a flask on the kitchen table, or a hazel walking stick they made themselves leaning against the wall, with a note that says what you've noticed, can mean a lot. Keep the house, the street and anything that shows where you live out of the frame.

When a long-serving volunteer steps down

When someone who has been at the heart of the group for many years steps back, a bigger puzzle can mark the moment. A 130- or 252-piece puzzle of the wood in its autumn colours, or the bluebell glade in May, taken from a public path, shared with the committee so everyone can add a line to the card that goes with it, is a warm way to say goodbye.

In memory of a volunteer

Many community woods have a bench, a plaque or a tree planted in memory of a volunteer who cared for them. If a volunteer has died and their family would welcome it, a photo of the ride they cleared, the bench that carries their name or the tree planted for them can become a gentle puzzle for their family. Always ask the family first, and let them decide whether they'd like it. A quiet note is often enough: "The bluebells came back again this spring. Thank you."

For woodland groups elsewhere

We've written this mostly with community woodlands in the UK and Ireland in mind, where community ownership and management of woods has grown into a real movement, with groups in villages, towns and cities. But the same work goes on in many places: community forests, urban forestry volunteers and "friends of" park and woodland groups across the United States and Canada; Landcare and bush regeneration groups in Australia, caring for native bush and planting corridors; community restoration and native planting groups in New Zealand; and village and community woods across Europe, each with its own trees, wildlife, seasons and rules.

Rules on felling, tools, wildlife licences, fires, land access, photos and people's details differ from place to place, so check your own group's guidance.

The best photos for a woodland volunteer's thank-you are often the quiet ones, taken early in the morning or in the evening light, with no people in them at all, and always from the path or a safe spot well away from any work. Some ideas:

  • the main ride on a misty morning, disappearing between the trees;
  • a carpet of bluebells under the coppiced hazel in late April or May, taken from the path without trampling them;
  • a row of coppice stools in low winter sun, a few weeks after the work party;
  • the tool store doors open, or a billhook, a bowsaw and a pair of gloves laid out on a log, after the session is over;
  • a line of new tree guards along the edge of a field, with the young trees just showing above them;
  • the autumn canopy from the main path, all gold, copper and green.

Things never to photograph or keep out of the frame:

  • faces, unless the person has agreed;
  • children and young people, at any time, including at forest school, school planting days and family events, even from behind;
  • anyone using a chainsaw, felling, working in a tree or inside a taped-off work area;
  • anyone holding a tool in a way that could encourage someone to copy them unsafely;
  • protected species, dormice, bats, nests, setts, roosts, boxes being checked and anything that shows exactly where they are;
  • animals that have been moved, lifted or held for a photo;
  • houses, gardens, farmyards, gates, house numbers and anything that shows where someone lives, including the landowner's home and the neighbours' houses;
  • number plates on parked cars and the group's trailer;
  • fly-tipping with names or addresses on it, and anything that blames a particular person or business; report it through the proper channels instead;
  • cash tins, open day takings and anything that shows where the tools are kept, including the container lock or a key safe;
  • the sign-in sheet, the volunteers' list, the risk assessments and any message group with names and phone numbers;
  • anything that might upset someone, such as a photo of a volunteer who has since died, unless their family has agreed.

If the photo has people, a pet or someone else's land in it, ask them first. A photo with no people at all, just the trees, the mist, the bluebells or the tools on a log, is often the easiest and best choice.

Getting the JPG right

Puzzlify works from a JPG. Most phone photos are already JPGs, or can be saved as one. A few practical tips:

  • early morning is often the best time in a wood: the mist hangs in the rides, the light comes in low between the trunks, and there's nobody on the paths;
  • tap on the trees or the ground to set the exposure, so a bright gap in the canopy doesn't turn the whole wood dark;
  • woods are full of contrast between bright sky and deep shade; a cloudy day often gives softer, more even light than full sun;
  • bluebells can look pink or washed out on a phone camera, so try them in shade or on an overcast day, and lower the exposure slightly until the blue comes back;
  • don't use the flash, both because it flattens the picture and because it can disturb birds and other wildlife;
  • leaves, bark, moss, fungi, bluebells and stacked poles make wonderful puzzles, because every piece has a little texture;
  • large areas of plain sky, thick fog or uniform dark shade are tricky, so crop them or pick fewer pieces;
  • landscape images usually make the most comfortable puzzles on a phone turned sideways;
  • if your phone saves photos in another format, such as HEIC, change the camera setting to "most compatible" or export a copy as JPG;
  • remove location data from the photo before you upload it, especially if it shows wildlife, a nest or a wood near someone's home. On most phones, you can switch it off in the share options or the camera settings.

Privacy, an optional PIN, and saying it's from you

The puzzle is private: it's shared as a link, not posted on a public board. You can add an optional PIN so that only someone who knows it can open the puzzle, which is useful if you're sending it to the group's email list. Even so, treat the photo as if it might be forwarded, and keep homes, children, wildlife locations and anyone's details out of it. Puzzlify doesn't use your photos to train AI.

Woodland groups and their volunteers get plenty of unexpected messages, from grant offers to timber buyers to the occasional scam, and many are rightly wary of unexpected links. Say who it's from and what it is in the message itself: "This is a little jigsaw of the wood in the mist, with a note at the end. It's from me, and it's safe to open." If you're sending it to someone who doesn't use email much, print the link as a QR code inside a card.

How many pieces?

Pieces Feels like Typical time
24 a single billhook on a log a few minutes
48 a row of tree guards along the field around 5–10 minutes
80 the coppice stools in winter sun around 10–20 minutes
130 the misty ride in the morning around 20–40 minutes
252 the bluebell carpet under the hazel an hour or more

If you're not sure, 48 or 80 pieces suits most people on a phone. Plain sky, thick fog and deep shade get tricky at high piece counts, so start lower if the image has large areas of one colour.

The leaderboard: only for a group

If you're sending one puzzle to the whole work party, the optional leaderboard lets everyone see who finished first. Some groups enjoy the rivalry, a little like the friendly argument over who cut the most stools in a morning; others would rather solve it quietly. For a puzzle sent to one person, or after a bereavement, leave it off.

A few note ideas

  • "To Alan: six winters, every billhook sharp and every glove accounted for. Thank you."
  • "To Ruth: thank you for every safety talk, every tick card and every Sunday you got us all home safely."
  • "To Morag: thank you for the share offer, the grant forms and the flapjacks. The wood is ours because of you."
  • "To the Sunday work party: thank you for the coppice, the dead hedges and the bluebells that came back."
  • "To my wife: thank you for the boots in the hall, the poles in the garage and teaching me the name of every tree."

(Change the names, and keep anything personal, any address and any wildlife location out of a puzzle that may be shared.)

How to make one (about a minute of setup)

Upload the photo, pick a piece count, write your note and preview it. When you're happy, publish the link and send it by email or message, print the link or a QR code inside a card, or ask the group's secretary to pass it on. Start at Puzzlify's photo puzzle maker.

Honest pricing and notes

Making and previewing a puzzle is free in your browser. You only pay when you publish the link to send it: one credit is EUR 3.99, three credits are EUR 8.99, and Plus is EUR 14.99 a year for ten credits, which can make sense if you want to thank the work party leader, the recorders and the landowner separately. The person you send it to doesn't need an account or an app; they just open the link in a browser.

This is a digital jigsaw you play on a screen. It isn't a cardboard puzzle in the post, a printed product or a public puzzle board, and it isn't connected to any woodland group, charity, trust, council, forest school or landowner. It's also not puzzlify.io (a chess site), Puzzlit, Puzzly or Puzzify, which are different things.

Ideas that are not a puzzle

Honestly, some of the best thank-yous for woodland volunteers cost nothing at all:

  • a handwritten card, handed over at the next work party or posted in the week after;
  • a thank-you in the parish magazine, the newsletter or the local paper, naming the work party, the recorders, the forest school helpers, the landowner and the founders as well as the committee;
  • offering your time: a morning in the coppice, help at the open day or a lift for a volunteer who doesn't drive;
  • sending your own wildlife sightings to the group or the local records centre, so their survey work grows;
  • sticking to the paths, keeping dogs on a lead in bluebell and nesting season, taking your litter home and never lighting fires;
  • buying the group's charcoal, bean poles or hurdles, or becoming a member or a shareholder if your group runs a scheme like that;
  • a tin of good flapjacks for the next work party, which never fails.

If a photo puzzle feels right as well, choose the misty ride in the morning, the bluebell carpet, the coppice stools, the tools on a log, the new tree guards or the autumn canopy, take it from the path well away from any work, keep faces, children, chainsaws, wildlife locations, homes, plates and anyone's details out of the frame, pick a piece count that suits them, and write the note in your own words. You can make a free preview here and decide later whether to send it.

Whatever you send, the most important part is the sentence that sounds like you, written to the person who sharpened the billhooks, cut the hazel in the frost, counted the bluebells and refused to walk past a neglected wood, so that next spring, when the mist lifts off the ride, the light will still be falling on a carpet of blue.

Written by the small team behind Puzzlify (info@puzzlify.app). Not legal, forestry, tree work, chainsaw, wildlife licensing, fire safety, health and safety, first aid, employment, safeguarding, copyright or data protection advice. Check your own group's guidance on gifts, photos, tools, wildlife, fires, land, children and people's details.